"String Quartet No. 2, Op. 147: VII. Hymn" by Alan Hovhaness, Shanghai Quartet was released on January 1, 1994. With String Quartet No. 2, Op. 147: VII. Hymn being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alan Hovhaness, Shanghai Quartet's "Hovhaness, A.: 4 Bagatelles / String Quartet Nos. 1-4 / Zhou, L.: Song of the Ch'In ( Spirit Murmur)" album is number 11 out of 17. In terms of popularity, String Quartet No. 2, Op. 147: VII. Hymn is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No. 2, Op. 147: VII. Hymn by Alan Hovhaness, Shanghai Quartet to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Elizabethan Masque | Fredrico Bayco, Pro Arte Orchestra, George Weldon | A Minor | 1 | 8A | 64 BPM | ||
Suite No. 4 in E Minor: Prelude X.XVII | Monsieur de Sainte-Colombe, Christian-Pierre La Marca | E♭ Minor | 1 | 2A | 123 BPM | ||
Limu, limu, lima (Arr. Schindler for Piano) | Lang Lang | E Minor | 0 | 9A | 69 BPM | ||
Classical Suite: III. Sarabande | Lynn Palmer, Judy Loman | A Minor | 0 | 8A | 106 BPM | ||
8 Chinese Folk Songs: No. 1. Lan Hua Hua | Zhou Long, Shanghai Quartet | A Minor | 1 | 8A | 91 BPM | ||
Cello Concerto in C Major, RV 398: II. Largo | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | A Minor | 0 | 8A | 115 BPM | ||
Prélude no. 24 | Eduard Abramian, Georgy Sarajian, Alan Hovhaness, Eduard Baghdasarian, Arno Babadjanian, Komitas, Godefroi Bernier | A Minor | 1 | 8A | 103 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik" (arr. for flute, harpsichord and string quartet): III. Menuetto: Allegro | Wolfgang Amadeus Mozart, Anonymous , Eugenia Zukerman, Anthony Newman, Shanghai Quartet | G Major | 1 | 9B | 124 BPM |
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