"Moro, Lasso, al mio Duolo" by Carlo Gesualdo, The King's Noyse was released on 2000. The duration of Moro, Lasso, al mio Duolo is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Moro, Lasso, al mio Duolo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Pavaniglia - Dances & Madrigals from 17th-century Italy". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Moro, Lasso, al mio Duolo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Moro, Lasso, al mio Duolo by Carlo Gesualdo, The King's Noyse having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kronstorfer Messe in D Minor, WAB 146: I. Kyrie | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | G Minor | 2 | 6A | 137 BPM | ||
Misere mei Deus | Alberto Turco, Cantarte Regensburg | G Minor | 0 | 6A | 131 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
O come è gran martire: I. O come è gran martire | Carlo Gesualdo, Les Arts Florissants, Paul Agnew | A Minor | 1 | 8A | 70 BPM | ||
Celeste beneficium - Audiutorium nostrum | Jean Mouton, Capilla Flamenca, Patrick Denecker | F Major | 2 | 7B | 132 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM | ||
Petite messe solennelle: II. Kyrie. Christe eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri | A Minor | 0 | 8A | 172 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 1, Bless My Soul, O Lord | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Klava | G Major | 1 | 9B | 78 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM |
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