"Petite messe solennelle: II. Kyrie. Christe eleison" by Gioachino Rossini, Giulio Prandi, Coro Ghislieri was released on October 8, 2021. The duration of Petite messe solennelle: II. Kyrie. Christe eleison is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Petite messe solennelle: II. Kyrie. Christe eleison's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Rossini: Petite messe solennelle". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. The popularity of Petite messe solennelle: II. Kyrie. Christe eleison is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Petite messe solennelle: II. Kyrie. Christe eleison by Gioachino Rossini, Giulio Prandi, Coro Ghislieri having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Искупил ны еси от клятвы законныя | Хор Сретенского монастыря | F♯ Major | 1 | 2B | 74 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Good Friday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | A♭ Minor | 0 | 1A | 84 BPM | ||
Discretio - Ego Discretio | Hildegard von Bingen, Romain Dayez, Jean-Paul Dessy | A Major | 1 | 11B | 71 BPM | ||
All'imperio d'Amore: 2. O fortunato giorno a 30 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | G Minor | 3 | 6A | 113 BPM | ||
Messa a quattro voci, SV 190: III. Credo | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Missa pro Defunctis (1544): Introitus: "Requiem aeternam" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 77 BPM | ||
Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
Ay, mi Dios | Pedro de Cristo, Coro de Câmara de Lisboa, Teresita Gutierrez Marques | B Minor | 7 | 10A | 97 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
Miserere a 9: No. 1, Miserere mei, Deus | Gregorio Allegri, Tommaso Bai, Marie-Pierre Wattiez, Brigitte Vinson, Christophe Laporte, Vincent Darras, François Fauche, Catherine Greuillet, Sophie Decaudaveine, Gemma Coma-Alabert, Bruno Boterf | F♯ Minor | 1 | 11A | 81 BPM |
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