Antoine Boësset, Marie-Frédérique Girod, Caroline Bardot, Dagmar Saskova, Lucille Richardot, Stephen Collardelle, Davy Cornillot, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé made "Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Suivez-nous" (Orphée, Les Hamadryades)" available on September 3, 2015. The duration of Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Suivez-nous" (Orphée, Les Hamadryades) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Suivez-nous" (Orphée, Les Hamadryades)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 19 out of 68. On top of that, France appears to be the country where this track was created. Based on our statistics, Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Suivez-nous" (Orphée, Les Hamadryades)'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Le Concert royal de la Nuit, Quatrième Veille, Orphée: "Suivez-nous" (Orphée, Les Hamadryades) by Antoine Boësset, Marie-Frédérique Girod, Caroline Bardot, Dagmar Saskova, Lucille Richardot, Stephen Collardelle, Davy Cornillot, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Improvisation for solo lute | Thomas Dunford | D♭ Minor | 0 | 12A | 107 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
Nabucco: Prologo / Siamo a riva | Michelangelo Falvetti, Cappella Mediterranea, Leonardo García-Alarcón, Chœur De Chambre De Namur, Capucine Keller, Mariana Flores, Matteo Bellotto | B♭ Minor | 1 | 3A | 77 BPM | ||
Toutes les nuictz | Clément Janequin, Ensemble Clément Janequin, Dominique Visse | E Major | 0 | 12B | 98 BPM | ||
Primo libro de' madrigali, Op. 1: Volano frettolosi | Barbara Strozzi, La Venexiana, Claudio Cavina | F Major | 1 | 7B | 178 BPM | ||
Tsat een meskin: Stat ('tsaat) ein meskin | Jacob Obrecht, Ensemble Villanella, Sven Berger | G Major | 2 | 9B | 73 BPM | ||
San Casimiro, re di Polonia: Al serto le rose (Duetto) | Alessandro Scarlatti, Núria Rial, Valer Sabadus | A Major | 1 | 11B | 95 BPM | ||
Je voudrois bien, ô Cloris | Antoine Boësset, Ed Lyon, Theatre of the Ayre, Elizabeth Kenny | D♭ Major | 2 | 3B | 79 BPM | ||
Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
Gagliarda | Giorgio Mainerio, Il Giardino Armonico, Giovanni Antonini | E♭ Major | 2 | 5B | 176 BPM |
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