Jacob Obrecht, Ensemble Villanella, Sven Berger made "Tsat een meskin: Stat ('tsaat) ein meskin" available on June 1, 1995. The duration of Tsat een meskin: Stat ('tsaat) ein meskin is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Tsat een meskin: Stat ('tsaat) ein meskin's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Tugend Und Untugend: German Music From the Time of Luther". In this album, this song's track order is #2. Tsat een meskin: Stat ('tsaat) ein meskin is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tsat een meskin: Stat ('tsaat) ein meskin by Jacob Obrecht, Ensemble Villanella, Sven Berger having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia I | Luis de Milán, Shirley Rumsey | G Minor | 0 | 6A | 112 BPM | ||
Dufay: Vergine bella | Guillaume Dufay, David Munrow | A Minor | 1 | 8A | 174 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | ||
Alma redemptoris mater a 3: Et stella maris | Jacob Obrecht, Ars Nova Secunda, Janos Bali | A Major | 2 | 11B | 61 BPM | ||
Almaine | Richard Dering, Trinity Baroque, The Forbury Consort, The Holbein Consort, Alan Crumpler, Martin Pope, Steven Player, Julian Podger | G Major | 0 | 9B | 133 BPM | ||
Missa Nunca Fue Pena Major: V. Agnus Dei | Francisco de Peñalosa, Concentus Musicus Minnesota, Arthur Maud | A♭ Minor | 2 | 1A | 74 BPM | ||
L’Eroica | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | G Major | 3 | 9B | 117 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
Conductus praemii dilatio - Instrumental | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Margit Übellacker | A Minor | 0 | 8A | 67 BPM | ||
Missa Malheur me bat a 4: Credo in unum Deum - Patrem | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 2 | 11A | 88 BPM |
Section: 0.5012521743774414
End: 0.5064189434051514