Fritz Kreisler, Joshua Bell, Paul Coker's 'Aucassin and Nicolette (canzonetta medievale)' came out on January 1, 1996. The duration of Aucassin and Nicolette (canzonetta medievale) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Aucassin and Nicolette (canzonetta medievale)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Kreisler Album". In this album, this song's track order is #16. Aucassin and Nicolette (canzonetta medievale) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aucassin and Nicolette (canzonetta medievale) by Fritz Kreisler, Joshua Bell, Paul Coker having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in B Minor, Op. 61: 3. Molto moderato e maestoso | Camille Saint-Saëns, Joshua Bell, Orchestre Symphonique de Montréal, Charles Dutoit | B Minor | 2 | 10A | 90 BPM | ||
Zigeunerweisen, Op. 20 | Pablo de Sarasate, Joshua Bell, Tsung Yeh, Singapore Chinese Orchestra | G Minor | 3 | 6A | 81 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 1. Allegro moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM | ||
Olga | Nigel Hess, Joshua Bell, Royal Philharmonic Orchestra | G Minor | 1 | 6A | 99 BPM | ||
Extase | Henri Duparc, Mischa Maisky, Daria Hovora | D Major | 0 | 10B | 89 BPM | ||
3 Old Viennese Dances: 2. Liebesleid | Fritz Kreisler, Shlomo Mintz, Clifford Benson | A Major | 0 | 11B | 105 BPM | ||
Tre Sonetti di Petrarca, S. 270: Sonetto No. 47: "Benedetto sia 'l giorno" Preludio con moto - Sempre mosso, con intimo sentimento | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 74 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Daniel Austrich, Cologne New Philharmonic Orchestra, Volker Hartung | F Major | 0 | 7B | 98 BPM | ||
Piano Trio No. 2 in E Minor, Op. 67: III. Largo | Dmitri Shostakovich, Emanuel Ax, Isaac Stern, Yo-Yo Ma | C Major | 0 | 8B | 81 BPM |
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