"Violin Concerto No. 2 In G Minor, Op. 63: 1. Allegro moderato" by Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn was released on January 1, 1996. Violin Concerto No. 2 In G Minor, Op. 63: 1. Allegro moderato appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Prokofiev: Violin Concerto No.1 & 2". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Violin Concerto No. 2 In G Minor, Op. 63: 1. Allegro moderato is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 2 In G Minor, Op. 63: 1. Allegro moderato by Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Viola & Orchestra: I. Andante comodo | William Walton, Yuri Bashmet, André Previn | D Minor | 0 | 7A | 87 BPM | ||
Piano Concerto No. 2, BB 101, Sz. 95: I. Allegro | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | C Major | 5 | 8B | 98 BPM | ||
La boîte à joujoux, L. 128: Épilogue | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 91 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 1. Allegro | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | F♯ Major | 7 | 2B | 129 BPM | ||
The Imitation Game | Alexandre Desplat, London Symphony Orchestra | F Minor | 3 | 4A | 104 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
Much ado about nothing - Incidental Music: No. 4 Intermezzo | Erich Wolfgang Korngold, Gil Shaham, André Previn | C Major | 0 | 8B | 88 BPM | ||
Piano Concerto No.4 in G minor, Op.40: 1. Allegro vivace (Alla breve) | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | E♭ Major | 1 | 5B | 67 BPM |
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