"La Transfiguration de Notre Seigneur Jésus-Christ / Deuxième Septénaire: 14. Choral de la lumière de gloire" by Olivier Messiaen, Orchestre Philharmonique de Radio France, Myung-Whun Chung, R.T.F. Choeur De Radio France, Philip White was released on January 1, 2002. Since La Transfiguration de Notre Seigneur Jésus-Christ / Deuxième Septénaire: 14. Choral de la lumière de gloire is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen, Orchestre Philharmonique de Radio France, Myung-Whun Chung's "Messiaen: La Transfiguration de Notre-Seigneus Jésus-Christ" album is number 7 out of 14. On top of that, Germany appears to be the country where this track was created. La Transfiguration de Notre Seigneur Jésus-Christ / Deuxième Septénaire: 14. Choral de la lumière de gloire is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Transfiguration de Notre Seigneur Jésus-Christ / Deuxième Septénaire: 14. Choral de la lumière de gloire by Olivier Messiaen, Orchestre Philharmonique de Radio France, Myung-Whun Chung, R.T.F. Choeur De Radio France, Philip White to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in G Minor, Op. 10: I. Animé et très décidé | Claude Debussy, Quatuor Ébène | F♯ Minor | 0 | 11A | 84 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Piano Trio No. 4 in E Minor, Op. 90, B. 166 "Dumky": III. Andante | Antonín Dvořák, Smetana Trio | F Minor | 1 | 4A | 85 BPM | ||
Concerto pour violon et orchestre: III. Intermezzo: Presto fluido | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang | B Minor | 0 | 10A | 134 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Nocturnes, L. 91: 3. Sirènes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Robin Gritton | F♯ Major | 1 | 2B | 93 BPM | ||
Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
Preludes: Instants defunts (Dead Instants) | Olivier Messiaen, Håkon Austbø | D Major | 0 | 10B | 73 BPM | ||
String Quartet in B Flat Major, Op. 130: V. Cavatina ( Adagio molto espressivo) | Ludwig van Beethoven, Emerson String Quartet | E Major | 1 | 12B | 81 BPM | ||
Six Encores: Erdenklavier | Luciano Berio, Andrea Lucchesini | C Minor | 0 | 5A | 175 BPM |
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