"Canti di prigionia" by American Symphony Orchestra, Luigi Dallapiccola, Concert Chorale of New York, Leon Botstein was released on April 22, 2011. Since Canti di prigionia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 6 in Dallapiccola: Canti di prigionia / Canti di liberazione by American Symphony Orchestra. Canti di prigionia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Canti di prigionia by American Symphony Orchestra, Luigi Dallapiccola, Concert Chorale of New York, Leon Botstein is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | ||
Perséphone: I. Perséphone ravie | American Symphony Orchestra, Leon Botstein, Sean Panikkar, Jean Stilwell | G Major | 1 | 9B | 119 BPM | ||
A Night On The Bare Mountain | Modest Mussorgsky, London Symphony Orchestra, Leopold Stokowski | D Major | 4 | 10B | 97 BPM | ||
La mer: II. Jeux de vagues - Live | Claude Debussy, American Symphony Orchestra, Leon Botstein | E Major | 0 | 12B | 130 BPM | ||
Suite from The Legend of the Invisible City of Kitezh: I. Prelude, A Hymn to Nature | Leon Botstein, American Symphony Orchestra | B Minor | 0 | 10A | 125 BPM | ||
Canti di prigionia | American Symphony Orchestra, Luigi Dallapiccola, Concert Chorale of New York, Leon Botstein | A Minor | 0 | 8A | 80 BPM | ||
Altenberg Lieder, Op. 4: I. Seele, wie bist du schöner - Live | Alban Berg, American Symphony Orchestra, Christiane Libor, Leon Botstein | F Minor | 0 | 4A | 111 BPM | ||
Les Huguenots: I. Act I, Ouverture - Live | Giacomo Meyerbeer, American Symphony Orchestra, Leon Botstein | G Major | 2 | 9B | 89 BPM | ||
Symphony No. 11 "Seven Rituals of Music": VI. Vivace - Live | Henry Cowell, American Symphony Orchestra, Leon Botstein | A Major | 1 | 11B | 73 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM |
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