"Suite from The Legend of the Invisible City of Kitezh: I. Prelude, A Hymn to Nature" by Leon Botstein, American Symphony Orchestra was released on September 11, 2013. With this song being about 5 minutes long, at 5:06, "Suite from The Legend of the Invisible City of Kitezh: I. Prelude, A Hymn to Nature" by Leon Botstein, American Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 4 in the song's album "Rimsky-Korsakov: Suite from The Legend of the Invisible City of Kitezh". In this album, this song's track order is #1. Based on our statistics, Suite from The Legend of the Invisible City of Kitezh: I. Prelude, A Hymn to Nature's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite from The Legend of the Invisible City of Kitezh: I. Prelude, A Hymn to Nature by Leon Botstein, American Symphony Orchestra having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pini di Roma, P. 141: I. I pini di Villa Borghese (The Pines of the Villa Borghese) | Ottorino Respighi, Minnesota Orchestra, Eiji Oue | F Major | 3 | 7B | 104 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 1 | 11B | 116 BPM | ||
Symphony on a Hymn Tune | Virgil Thomson, American Symphony Orchestra, Leon Botstein | D Major | 0 | 10B | 174 BPM | ||
Wagner: Tristan und Isolde: Prelude to Act 1 | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker | C Major | 2 | 8B | 177 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Pictures at an Exhibition: Promenade I | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
Vier Tondichtungen nach Arnold Böcklin, Op. 128: I. Hermit Playing the Violin | Max Reger, Leon Botstein, London Philharmonic Orchestra, Michael Davis | C Major | 0 | 8B | 68 BPM | ||
Concerto For Violin And Orchestra: 1. = 104 - = 120 | Philip Glass, Gidon Kremer, Wiener Philharmoniker, Christoph von Dohnányi | D Minor | 1 | 7A | 130 BPM | ||
Printemps, L. 61: I. Très modéré | Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B Major | 0 | 1B | 88 BPM |
Section: 1.1327128410339355
End: 1.1532082557678223