"Martern aller Arten (Die Entführung aus dem Serail)" by Margherita Perras was released on August 27, 2006. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 69 in the song's album "Unvergessene Stimmen der Wiener Staatsoper". In this album, this song's track order is #40. Furthermore, we believe that the track originated from Austria. In terms of popularity, Martern aller Arten (Die Entführung aus dem Serail) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Martern aller Arten (Die Entführung aus dem Serail) by Margherita Perras having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Reich´ mir die Hand, mein Leben (Don Juan) | Margherita Perras, Gerhard Hüsch | A Major | 1 | 11B | 84 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni" (Amore) | Christoph Willibald Gluck, Stefan Plewniak, Fatma Said, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Die Zauberflöte, K. 620 / Act 2: "Wie? Wie? Wie?" | Wolfgang Amadeus Mozart, Rolando Villazón, Klaus Florian Vogt, Johanni van Oostrum, Corinna Scheurle, Claudia Huckle, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 112 BPM | ||
The Magic Flute, Act I: Have mercy, have mercy | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Barry Banks, Majella Cullagh, Sarah Fox, Diana Montague | E♭ Major | 2 | 5B | 131 BPM | ||
Die Fledermaus: Act II: Finale: Herr Chevalier, ich grusse Sie (Eisenstein, Frank) | Johann Strauss II, Paul Armin Edelmann, Sebastian Holecek, Cologne West German Radio Orchestra, Friedrich Haider | A♭ Major | 1 | 4B | 69 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Ach ich liebte, war so glücklich - Remastered 2024 | Wolfgang Amadeus Mozart, Wilma Lipp, Heinz Woester, Peter Klein, Walther Ludwig, Endre Koreh, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
The Magic Flute, Act I: Sir, I was disobedient | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Rebecca Evans, John Tomlinson | E♭ Major | 2 | 5B | 131 BPM | ||
Il Turco in Italia / Act 1: "Voga, voga" | Gioachino Rossini, Cecilia Bartoli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | B Minor | 0 | 10A | 73 BPM | ||
Donizetti: Roberto Devereux, Act 1: "L'amor suo mi fe' beata" (Elisabetta) [Live] | Gaetano Donizetti, Maurizio Benini, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 1 | 6B | 106 BPM | ||
Cherubini: Medea, Act 1: "O Armore, vieni a me!" (Glauce) | Luigi Cherubini, Renata Scotto, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 1 | 9B | 115 BPM |
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