"Donizetti: Roberto Devereux, Act 1: "L'amor suo mi fe' beata" (Elisabetta) [Live]" by Gaetano Donizetti, Maurizio Benini, Orchestra of the Royal Opera House, Covent Garden was released on January 1, 2003. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 30 in Donizetti: Roberto Devereux (Live) by Gaetano Donizetti, Nelly Miricioiu, José Bros, Sonia Ganassi, Roberto Frontali, Orchestra of the Royal Opera House, Covent Garden, Maurizio Benini. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Donizetti: Roberto Devereux, Act 1: "L'amor suo mi fe' beata" (Elisabetta) [Live] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Donizetti: Roberto Devereux, Act 1: "L'amor suo mi fe' beata" (Elisabetta) [Live] by Gaetano Donizetti, Maurizio Benini, Orchestra of the Royal Opera House, Covent Garden is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly: Tu, tu, piccolo iddio | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener Philharmoniker | B Minor | 3 | 10A | 97 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
The Queen of Spades, Op. 68, Act II: Ya vas liubliu (I Love You) | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 96 BPM | ||
Wagner: Tristan und Isolde, Act III: Liebestod. "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Jessye Norman, Klaus Tennstedt, London Philharmonic Orchestra | B Major | 2 | 1B | 82 BPM | ||
Carmen / Act 1: "Près des remparts de Séville" | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 83 BPM | ||
La Bohème Atto I: "O soave fanciulla" | Giacomo Puccini, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 81 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Mary Stuart, A. 43, In. 52, Act III Scene 3: Oh, deign to hear our prayer, merciful Saviour! (Hannah, Mary, Chorus) | Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Angela Bostock, English National Opera Chorus | D♭ Major | 1 | 3B | 81 BPM | ||
Carmen, WD 31 / Act 2: La fleur que tu m'avais jetée | Georges Bizet, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | E♭ Major | 3 | 5B | 96 BPM | ||
Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) | Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado | G Major | 1 | 9B | 176 BPM |
Section: 0.7767093181610107
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