Ángeles Ottein, Anibal Vela's 'Dúo de Rosa y Rufo, Pt. 2' came out on June 20, 2021. The duration of Dúo de Rosa y Rufo, Pt. 2 is about 3 minutes long, at 3:01. Based on our data, "Dúo de Rosa y Rufo, Pt. 2" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Maruxa" album is number 8 out of 24. On top of that, Spain appears to be the country where this track was created. Dúo de Rosa y Rufo, Pt. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dúo de Rosa y Rufo, Pt. 2 by Ángeles Ottein, Anibal Vela to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Los gavilanes, Acto II: Amigos, siempre amigos | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | B♭ Major | 3 | 6B | 135 BPM | ||
Romeo and Juliette, Act I: Eh! bien! que l'avertissement | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Il Pirata, Act I: Alcun s'apressa | Vincenzo Bellini, Felice Romani, Marina Rebeka, Javier Camarena, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
El Rey Que Rabió: "¡Gran Dios!" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Tony Rosado, Agustin S. Luque, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | E♭ Major | 7 | 5B | 73 BPM | ||
Parysatis: Le Rossignol et la Rose | Camille Saint-Saëns, Erin Morley, Gerald Martin Moore | G Major | 0 | 9B | 75 BPM | ||
Siempre Que Te Ahogue una Pena / Tantos Desprecios Me Das - Remastered | Jesús Gracia, Rondalla Santamaría, Florencio Santamaría | E Major | 4 | 12B | 87 BPM | ||
Molinos de Viento: Concertante | Marcos Redondo, Delfín Pulido, Felisa Herrero | E Major | 2 | 12B | 77 BPM | ||
Cecilia: Padre! Ho pregato | Licinio Refice, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F Minor | 1 | 4A | 106 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM |
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