Vincenzo Bellini, Felice Romani, Marina Rebeka, Javier Camarena, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania's 'Il Pirata, Act I: Alcun s'apressa' came out on November 19, 2021. With Il Pirata, Act I: Alcun s'apressa being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 49 in Bellini: Il Pirata by Felice Romani, Vincenzo Bellini, Marina Rebeka, Javier Camarena, Fabrizio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania. The popularity of Il Pirata, Act I: Alcun s'apressa is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Pirata, Act I: Alcun s'apressa by Vincenzo Bellini, Felice Romani, Marina Rebeka, Javier Camarena, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
Lucia di Lammermoor, Act I: Cruda, funesta smania | Gaetano Donizetti, Stefano Antonucci, Didier Pieri, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | ||
Las Golondrinas, Escena 3ª, II parte: "Fuego de paja en el viento" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Il tuo dubbio è omai certezza ... Come vinti da stanchezza" (Chorus, Normanno, Enrico, Raimondo) | Gaetano Donizetti, Gino Sarri/Tito Gobbi/Raffaele Arié/Coro del Maggio Musicale Fiorentino/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Coro del Maggio Musicale Fiorentino, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
L’addio di Eleonora a Torquato | Emilio Arrieta, Felice Romani, Rinaldo Zhok, Sofía Esparza | B♭ Major | 1 | 6B | 90 BPM | ||
I Capuleti e i Montecchi: Eccomi in lieta vesta / Act 1: Riedi al campo - Live | Vincenzo Bellini, Tiziano Bracci, Elina Garanca, Joseph Calleja, Wiener Symphoniker, Fabio Luisi, Wiener Singakademie | D Minor | 1 | 7A | 123 BPM | ||
Verdi: La traviata, Act 2: "Che fai?...Nulla" (Violetta, Annina, Alfredo) | Giuseppe Verdi, Maria Callas, Francesco Albanese, Gabriele Santini, Ines Marietti, Orchestra Sinfonica della RAI | F Major | 2 | 7B | 166 BPM | ||
Te Deum in D Major "Dettingen", HWV 283: Dignare o Domine | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 109 BPM | ||
La fanciulla del West, SC 78: Quello che tacete | Giacomo Puccini, Jonathan Tetelman, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Major | 1 | 2B | 96 BPM | ||
Cherubini: Medea, Act 3: "Neris, che hai fatto" (Medea, Neris) | Luigi Cherubini, Maria Callas, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 1 | 7A | 93 BPM |
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