"Lakmé, Act I (Sung in Russian): Prendre le dessin d'un bijou - Fantaisie aux divins mensonges (2)" by Léo Delibes, Sergei Lemeshev, Orchestra of the Bolshoi Theatre, Alexander Orlov was released on March 1, 2017. With this song being about 5 minutes long, at 5:27, "Lakmé, Act I (Sung in Russian): Prendre le dessin d'un bijou - Fantaisie aux divins mensonges (2)" by Léo Delibes, Sergei Lemeshev, Orchestra of the Bolshoi Theatre, Alexander Orlov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 41 in Delibes: Lakmé (Sung in Russian) by Léo Delibes, Sergei Lemeshev, All-Union Radio Symphony Orchestra, Alexander Orlov. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. In terms of popularity, Lakmé, Act I (Sung in Russian): Prendre le dessin d'un bijou - Fantaisie aux divins mensonges (2) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lakmé, Act I (Sung in Russian): Prendre le dessin d'un bijou - Fantaisie aux divins mensonges (2) by Léo Delibes, Sergei Lemeshev, Orchestra of the Bolshoi Theatre, Alexander Orlov is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Lakmé / Act 2: Lakmé! Lakmé! C'est toi! | Léo Delibes, Alain Vanzo, Dame Joan Sutherland, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | A♭ Major | 1 | 4B | 169 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM |
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