- BPM
- 172
- Key
- E Major
- Camelot
- 12B
Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 4, Aria. "Tief gebückt und voller Reue" - Johann Sebastian Bach, Sabine Devieilhe, Raphael Pichon Information
- Acousticness
- 82%
- Danceability
- 13%
- Energy
- 15%
- Instrumentalness
- 4%
- Liveness
- 12%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 20%
- Popularity
- 12%
- Loudness
- -18.371 dB
Summary
Johann Sebastian Bach, Sabine Devieilhe, Raphael Pichon's 'Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 4, Aria. "Tief gebückt und voller Reue"' came out on November 5, 2021. Since Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 4, Aria. "Tief gebückt und voller Reue" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 24 in Bach & Handel by Sabine Devieilhe, Ensemble Pygmalion, Raphael Pichon. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 4, Aria. "Tief gebückt und voller Reue" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 4, Aria. "Tief gebückt und voller Reue" BPM
The tempo marking of Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 4, Aria. "Tief gebückt und voller Reue" by Johann Sebastian Bach, Sabine Devieilhe, Raphael Pichon is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 4, Aria. "Tief gebückt und voller Reue" Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | |
 | Polifemo, HelN 31: Placidetti zeffiretti. Duo - Arr. for Voice & Piano | Nicola Porpora, Théophile Alexandre, Guillaume Vincent, Marion Tassou | A♭ Minor | 2 | 1A | 97 BPM | |
 | Semele, HWV 58 / Act 1: Endless Pleasure... | George Frideric Handel, Kathleen Battle, Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson | F Major | 1 | 7B | 80 BPM | |
 | Johannes-Passion, BWV 245.1: 32. Aria: Mein teurer Heiland | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, Tobias Berndt | D Major | 2 | 10B | 172 BPM | |
 | Vespro della Beata Vergine, SV 206: Psalmus "Dixit dominus" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | A Minor | 3 | 8A | 86 BPM | |
 | Abdelazer, Z.570: Air - Jig - Hornpipe - Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 2 | 11A | 172 BPM | |
 | Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 122 BPM | |
 | Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 1 | 5B | 124 BPM | |
 | St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 111 BPM | |
 | Dido and Aeneas / Act 3: "Thy Hand, Belinda...When I Am Laid In Earth" | Henry Purcell, Barbara Bonney, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 164 BPM |
- ISRC
- GBPFW2100052
- Label
- L-M Records/RCA Records
Section: 0.6032013893127441
End: 0.606377124786377