Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice made "The Sleeping Beauty, Op. 66 : Farandole, Scene Et Danse" available on July 31, 1992. With The Sleeping Beauty, Op. 66 : Farandole, Scene Et Danse being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 65 in the song's album "Tchaikovsky: The Sleeping Beauty (Complete Ballet)". In this album, this song's track order is #8. The popularity of The Sleeping Beauty, Op. 66 : Farandole, Scene Et Danse is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With The Sleeping Beauty, Op. 66 : Farandole, Scene Et Danse by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice having a BPM of 189 with a half-time of 94 BPM and a double-time of 378 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Snow Maiden, Op. 12: I. Introduction | Moscow Symphony Orchestra, Moscow Capella, Elena Okolysheva, Arkady Mishenkin, Pyotr Ilyich Tchaikovsky | C Major | 0 | 8B | 91 BPM | ||
Act II: Variation Of Dulcinea - Kitri (Minkus) | Mariinsky Orchestra | E♭ Major | 1 | 5B | 99 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 15 (orch. Parlow) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | B♭ Major | 2 | 6B | 89 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: Tempo I. Energisch bewegt | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 1 | 12A | 132 BPM | ||
Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | ||
Schützen Quadrille | Johann Strauss II, Josef Strauss, Eduard Strauss, Zubin Mehta, Wiener Philharmoniker | B♭ Major | 4 | 6B | 106 BPM | ||
Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 0 | 11B | 185 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 0 | 6B | 177 BPM | ||
Symphony No. 6 in D Minor, Op. 104: IV. Allegro molto | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | D Minor | 1 | 7A | 84 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 16 Allegretto | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | E♭ Minor | 0 | 2A | 108 BPM |
Section: 0.8005850315093994
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