Mariinsky Orchestra's 'Act II: Variation Of Dulcinea - Kitri (Minkus)' came out on January 1, 2006. The duration of Act II: Variation Of Dulcinea - Kitri (Minkus) is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Act II: Variation Of Dulcinea - Kitri (Minkus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mariinsky Orchestra's "Minkus: Don Quixote, Victor Fedotov" album is number 4 out of 53. In terms of popularity, Act II: Variation Of Dulcinea - Kitri (Minkus) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Act II: Variation Of Dulcinea - Kitri (Minkus) by Mariinsky Orchestra to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | ||
Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | E Major | 1 | 12B | 90 BPM | ||
The Talisman. Female Variation | Riccardo Drigo, MetodoVadim | A Minor | 1 | 8A | 93 BPM | ||
Carnival of the Animals, R. 125: Finale | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | C Major | 3 | 8B | 99 BPM | ||
Die Puppenfee (The Fairy Doll): No. 18 Marsch | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 3 | 10B | 127 BPM | ||
Le carnaval des animaux, R. 125: 14. Final | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 100 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Scheherazade, Op. 35: The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergei Levitin, Mariinsky Orchestra, Valery Gergiev | F Minor | 1 | 4A | 79 BPM |
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