Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar made "21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 15 (orch. Parlow)" available on June 25, 1988. The duration of 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 15 (orch. Parlow) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 15 (orch. Parlow)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 21 in Brahms: Hungarian Dances Nos. 1-21 by Johannes Brahms, Istvan Bogar. 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 15 (orch. Parlow) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 15 (orch. Parlow) by Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Aus aller Herren Landern (From Foreign Lands), Op. 23: IV. Spanish: Molto vivace | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | E Minor | 2 | 9A | 105 BPM | ||
En rêve, Nocturne for Piano, S. 207 | Franz Liszt, Andreas Muehlen-Wester | D Minor | 0 | 7A | 140 BPM | ||
Die Zauberharfe, D. 644: Overture, "Rosamunde" | Franz Schubert, Prague Sinfonia, Christian Benda | C Major | 1 | 8B | 138 BPM | ||
Mazurka No.18 In C Minor Op.30 No.1 | Frédéric Chopin, Vladimir Ashkenazy | C Minor | 0 | 5A | 138 BPM | ||
Concerto for Viola and Orchestra in G Major: I. Largo | Georg Philipp Telemann, Capella Istropolitana, Paul Kantschieder | E♭ Major | 2 | 5B | 111 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Polonaise "Héroïque" in A-flat, Op. 53, N°6 | Luc Devos | A♭ Major | 2 | 4B | 74 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM |
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