Christopher Wordsworth, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts's 'Capetown "Gracious Spirit, Holy Ghost"' came out on January 12, 2000. The duration of Capetown "Gracious Spirit, Holy Ghost" is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Capetown "Gracious Spirit, Holy Ghost"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "The Complete New English Hymnal, Vol. 6". In this album, this song's track order is #25. In terms of popularity, Capetown "Gracious Spirit, Holy Ghost" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Capetown "Gracious Spirit, Holy Ghost" by Christopher Wordsworth, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lead Me On | Brian A. Schmidt, Westminster Williamson Voices, James Jordan | E Major | 1 | 12B | 94 BPM | ||
Voices Rise in Heartfelt Fervor | Daughters Of St. Paul | G Minor | 1 | 6A | 124 BPM | ||
Psalm 16 (Leominster) | Independent Presbyterian Church Savannah, Scottish Festival Singers | E♭ Major | 1 | 5B | 84 BPM | ||
Alleluia, Alleluia, Praise the Risen Son! | Steven C. Warner, Newman Vocare Ensemble, The Choral Scholars of University College Dublin, Carolan String Quartet, Jane Bergeron O'Keefe, Michele D. Warner, Meadhbh O'Rourke, Anne-Marie O'Farrell | A Major | 3 | 11B | 122 BPM | ||
Burial Service: I. Man that is Born of a Woman | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 0 | 6A | 98 BPM | ||
Cherubic Hymn | Nazo Zakkak | A Major | 0 | 11B | 139 BPM | ||
Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 1. Lo! He Comes with Clouds Descending | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 1 | 9B | 131 BPM | ||
On Jumala maailmaa rakastanut (Siionin laulu 75) | Seuralaulu, Lauri-Kalle Kallunki, Henna-Mari Sivula | D Minor | 3 | 7A | 111 BPM | ||
Johannes-Passion, BWV 245.1: 26. Choral: In meines Herzens Grunde | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 73 BPM | ||
Breslau "Take Up Thy Cross, the Savior Said" (Arr. F. Mendelssohn for Choir & Organ) | Charles William Everest, Felix Mendelssohn, Choir of Girton College, Cambridge, William Ings, Samuel Hudson, Martin Ennis | A♭ Major | 1 | 4B | 80 BPM |
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