"Johannes-Passion, BWV 245.1: 26. Choral: In meines Herzens Grunde" by Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin was released on May 24, 2024. With Johannes-Passion, BWV 245.1: 26. Choral: In meines Herzens Grunde being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel Ochoa, Matteo de Bastiani, Leopold Görsch, Jannes Arndt, Carlos Voß, Ha Dong Lee, Robert Pohlers, Tobias Berndt, Konrad Führer's "Johann Sebastian Bach: Johannes-Passion / St John Passion BWV 245.1 (1724)" album is number 26 out of 40. On top of that, Germany appears to be the country where this track was created. Johannes-Passion, BWV 245.1: 26. Choral: In meines Herzens Grunde is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Johannes-Passion, BWV 245.1: 26. Choral: In meines Herzens Grunde by Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alleluia of the Angels | Christopher Walker | A♭ Major | 2 | 4B | 80 BPM | ||
02 Matins | Concordia Publishing House, Seminary Kantorei of Concordia Theological Seminary | D Major | 1 | 10B | 119 BPM | ||
Jesu Npe Wa L'osan L'oru | Bode Afolabi | A♭ Major | 4 | 4B | 105 BPM | ||
Taste And See | Genrid Martinez | F Major | 1 | 7B | 114 BPM | ||
アンティグア・バーブーダ 麗しきアンティグア、我ら汝に敬礼せん | Walter Garnet Picart Chambers, Kazuki Yamada, 東京混声合唱団, 斎木ユリ | B♭ Major | 4 | 6B | 78 BPM | ||
Johannes-Passion, BWV 245.1: 19. Arioso: Betrachte, meine Seel, mit ängstlichem Vergnügen | Johann Sebastian Bach, Andreas Reize, Akademie für Alte Musik Berlin, Tobias Berndt | D Major | 2 | 10B | 172 BPM | ||
Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
讚頌愛 | N.Y.P.D. 南洋派對 | F Major | 0 | 7B | 96 BPM | ||
Kantate zum 1. Sonntag nach Trinitatis, BWV 20 "O Ewigkeit, du Donnerwort": VIII. Arie. "Wacht auf, wacht auf, verloren Schafe" (Bass) | Johann Sebastian Bach, Chor & Orchester der J.S. Bach-Stiftung, Rudolf Lutz, Wolf Matthias Friedrich | E Major | 1 | 12B | 77 BPM | ||
Thou Art All Things | Margaret Rizza, Kevin Mayhew Ltd | G Minor | 0 | 6A | 79 BPM |
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