Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 29.2 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 29.2 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:23. Based on our data, "Kapitel 29.2 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #62 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Kapitel 29.2 - Wie Google tickt - How Google Works is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 29.2 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 29.2 - Wie Google tickt - How Google Works being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus, William Stone, Dawn Upshaw, David Gordon | G Major | 0 | 9B | 129 BPM | ||
Requiem, Op. 9: II. Kyrie | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F Major | 2 | 7B | 70 BPM | ||
Kapitel 35.2 & Kapitel 36.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg | B Minor | 2 | 10A | 111 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Katherine Gregory, Myrtille Hetzel, Harrison Cole, Stephen Layton | G Minor | 1 | 6A | 75 BPM | ||
Miserere (salmo 50) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
The Music Makers, Op. 69: III. With wonderful deathless ditties | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Truth | Karl Jenkins, Lucy Crowe, Krzysztof Wisniewski, Pablo de Leon, Shoshana Sievers, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | C Major | 2 | 8B | 79 BPM | ||
Handel: Messiah, HWV 56, Pt. 1: Pifa. Larghetto e mezzo piano | George Frideric Handel, Otto Klemperer, Philharmonia Orchestra | D Major | 4 | 10B | 114 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 4, Im Abendrot | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | B♭ Major | 1 | 6B | 82 BPM | ||
Fauré: Requiem, Op. 48: VI. Libera me | Gabriel Fauré, Choir of King's College, Cambridge, John Carol Case, Sir David Willcocks, New Philharmonia Orchestra | G Minor | 1 | 6A | 69 BPM |
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