Fauré: Requiem, Op. 48: VI. Libera me - Gabriel Fauré, Choir of King's College, Cambridge, John Carol Case, Sir David Willcocks, New Philharmonia Orchestra Information

Acousticness: 98%
Danceability: 18%
Energy: 13%
Instrumentalness: 14%
Liveness: 12%
Loudness: 61%
Speechiness: 5%
Valence: 4%
Popularity: 4%
Loudness: -23.188 dB

Summary

"Fauré: Requiem, Op. 48: VI. Libera me" by Gabriel Fauré, Choir of King's College, Cambridge, John Carol Case, Sir David Willcocks, New Philharmonia Orchestra was released on January 1, 1968. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 8 in Fauré: Requiem, Op. 48 & Pavane, Op. 50 by Gabriel Fauré, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Fauré: Requiem, Op. 48: VI. Libera me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Fauré: Requiem, Op. 48: VI. Libera me BPM

The tempo marking of Fauré: Requiem, Op. 48: VI. Libera me by Gabriel Fauré, Choir of King's College, Cambridge, John Carol Case, Sir David Willcocks, New Philharmonia Orchestra is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Fauré: Requiem, Op. 48: VI. Libera me Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

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Requiem, Op.48: 1. Introit et Kyrie (Chorus)	Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann	B♭ Major	0	6B	87 BPM
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto)	Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch	A Major	1	11B	133 BPM
Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 34, Chorus with Soli. "Sing the Lord" (Chorus)	Joseph Haydn, Sir Simon Rattle, Arleen Auger, City of Birmingham Symphony Chorus, David Thomas, Philip Langridge, City Of Birmingham Symphony Orchestra	B♭ Major	3	6B	109 BPM

ISRC: GBAYC1902051
Label: L-M Records/RCA Records

Section: 0.7835493087768555

End: 0.7882452011108398