Eric Schmidt, Jonathan Rosenberg made "Kapitel 35.2 & Kapitel 36.1 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 35.2 & Kapitel 36.1 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:12. Based on our data, "Kapitel 35.2 & Kapitel 36.1 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #46 out of 137 tracks. In terms of popularity, Kapitel 35.2 & Kapitel 36.1 - Wie Google tickt - How Google Works is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 35.2 & Kapitel 36.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Kapitel 35.2 & Kapitel 36.1 - Wie Google tickt - How Google Works being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Strauss, R: Mädchenblumen, Op. 22: No. 3, Epheu | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Requiem aeternam: Recordare | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 1 | 7A | 121 BPM | ||
Kapitel 10.3 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg | G Major | 3 | 9B | 63 BPM | ||
Requiem, Op. 48: IV. Pie Jesu | Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra, Judith Blegen | G Major | 2 | 9B | 121 BPM | ||
Su le sponde del Tebro: Recitative: Mesto, stanco e spirante - Arioso: Infelici miei lumi | Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly Botvay | A Minor | 0 | 8A | 110 BPM | ||
Messa di Gloria: I. Kyrie | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | B Minor | 6 | 10A | 129 BPM | ||
Charpentier: Magnificat, H. 74: III. Quia fecit mihi magna | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Dawn Upshaw | D Major | 1 | 10B | 173 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No.58 "Aus Liebe will mein Heiland Sterben" | Johann Sebastian Bach, Maria Stader, Münchener Bach-Orchester, Karl Richter | A Minor | 1 | 8A | 88 BPM | ||
Mass in D Major, Op. 86, B. 153: II. Gloria | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 1 | 10B | 81 BPM |
Section: 0.6830587387084961
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