"Aida / Act 2: "Gloria all'Egitto"" by Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin was released on April 6, 2024. With this song being about 5 minutes long, at 5:07, "Aida / Act 2: "Gloria all'Egitto"" by Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 18 out of 68 in Dies irae by Giuseppe Verdi. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Aida / Act 2: "Gloria all'Egitto" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aida / Act 2: "Gloria all'Egitto" by Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Doriot Anthony Dwyer, Boston Symphony Orchestra, Michael Tilson Thomas | A♭ Minor | 1 | 1A | 89 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
La forza del destino, Act III, Scene III: Rataplan | Giuseppe Verdi, Anna Maria Chiuri, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 92 BPM | ||
Verdi: La traviata, Act 1: Brindisi. "Libiamo ne'lieti calici" (Alfredo, Violetta, Coro) | Giuseppe Verdi, Maria Callas, Coro Cetra, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | B♭ Major | 2 | 6B | 195 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM |
Section: 0.7405128479003906
End: 0.7444207668304443