"Flower Song" by Enrico Caruso was released on March 17, 1903. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Enrico Caruso's "L'incredibile Enrico Caruso" album is number 27 out of 32. On top of that, Germany appears to be the country where this track was created. Flower Song is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Flower Song by Enrico Caruso to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marechiare | Tito Schipa | D♭ Major | 2 | 3B | 136 BPM | ||
Tu ca nun chiagne | Mario del Monaco | E Major | 3 | 12B | 83 BPM | ||
Act I: Celeste Aida | Giuseppe Verdi, Enrico Caruso | B♭ Major | 2 | 6B | 82 BPM | ||
Kleine Dreigroschenmusik (Little Threepenny Music): The Moritat of Mack The Knife (Moderato assai) | Kurt Weill, Members Of The London Symphony Orchestra, Michael Tilson Thomas | A Minor | 1 | 8A | 177 BPM | ||
Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" | Georges Bizet, Leopold Simoneau, Orchestre des Concerts Lamoureux, Jean Fournet | A Minor | 1 | 8A | 85 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Lolita (Spanish Serenade) | Arturo Buzzi-Peccia, Enrico Caruso | D Major | 2 | 10B | 85 BPM | ||
William Tell / Act 4: "Tutto cangia, il ciel s'abbella" | Gioachino Rossini, Giorgio Zancanaro, Chris Merritt, Cheryl Studer, Giorgio Surjan, Amelia Felle, Luciana D'Intino, Luigi Roni, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | A♭ Major | 2 | 4B | 111 BPM | ||
Rachel, quand du Seigneur | Fromental Halévy, Enrico Caruso | D♭ Major | 1 | 3B | 68 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I: Gluck, das mir verblieb | Erich Wolfgang Korngold, Ilona Steingruber, Anton Dermota, Alfred Poell, Rosl Schwaiger, Austrian State Radio Orchestra | B♭ Major | 2 | 6B | 82 BPM |
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