- BPM
- 85
- Key
- D Major
- Camelot
- 10B
Lolita (Spanish Serenade) - Arturo Buzzi-Peccia, Enrico Caruso Information
- Acousticness
- 100%
- Danceability
- 32%
- Energy
- 25%
- Instrumentalness
- 0%
- Liveness
- 32%
- Loudness
- 80%
- Speechiness
- 4%
- Valence
- 28%
- Popularity
- 4%
- Loudness
- -11.747 dB
Summary
Arturo Buzzi-Peccia, Enrico Caruso's 'Lolita (Spanish Serenade)' came out on 1990. The duration of Lolita (Spanish Serenade) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Lolita (Spanish Serenade)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Lolita (Spanish Serenade) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Lolita (Spanish Serenade) BPM
The tempo marking of Lolita (Spanish Serenade) by Arturo Buzzi-Peccia, Enrico Caruso is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Lolita (Spanish Serenade) Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le Nozze di Figaro, K.492 (1997 - Remaster): Porgi, amor | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 79 BPM | |
 | Lolita, "Spanish Serenade": Lolita | Arturo Buzzi-Peccia, Joseph Schmidt, Staatskapelle Berlin, Selmar Meyrowitz | A Minor | 3 | 8A | 125 BPM | |
 | Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | |
 | Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | |
 | Samson et Dalila, Op.47, R. 288 / Act 1: "Printemps qui commence" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E Major | 0 | 12B | 83 BPM | |
 | Carmen (1997 - Remaster), Act I: Carmen! sur tes pas | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 84 BPM | |
 | O sole mio | Eduardo di Capua, Jonathan Antoine, Nick Ingman | A Major | 4 | 11B | 106 BPM | |
 | Lolita, "Spanish Serenade" | Arturo Buzzi-Peccia, Giuseppe Bellantoni, Artist Unknown | C Major | 4 | 8B | 104 BPM | |
 | Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre a ta voix | Camille Saint-Saëns, Lauris Elms, Geoffrey Arnold, West Australian Symphony Orchestra | F♯ Major | 1 | 2B | 81 BPM | |
 | Santa Lucia | Teodoro Cottrau, Arturo Buzzi-Peccia, Claude Aveline, Alfie Boe, Royal Philharmonic Orchestra, Valeriano Chiaravalle | G Minor | 3 | 6A | 131 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7670197486877441
End: 0.7707982063293457