- BPM
- 82
- Key
- B♭ Major
- Camelot
- 6B
Die tote Stadt (The Dead City), Op. 12: Act I: Gluck, das mir verblieb - Erich Wolfgang Korngold, Ilona Steingruber, Anton Dermota, Alfred Poell, Rosl Schwaiger, Austrian State Radio Orchestra Information
- Acousticness
- 92%
- Danceability
- 9%
- Energy
- 17%
- Instrumentalness
- 0%
- Liveness
- 7%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 7%
- Loudness
- -16.743 dB
Summary
"Die tote Stadt (The Dead City), Op. 12: Act I: Gluck, das mir verblieb" by Erich Wolfgang Korngold, Ilona Steingruber, Anton Dermota, Alfred Poell, Rosl Schwaiger, Austrian State Radio Orchestra was released on July 5, 2011. With this song being about 5 minutes long, at 5:07, "Die tote Stadt (The Dead City), Op. 12: Act I: Gluck, das mir verblieb" by Erich Wolfgang Korngold, Ilona Steingruber, Anton Dermota, Alfred Poell, Rosl Schwaiger, Austrian State Radio Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 11 in From the Operas of Erich Wolfgang Korngold (1949) by Erich Wolfgang Korngold, Wilhelm Loibner, Joseph Strobl, Gottfried Kassowitz. Die tote Stadt (The Dead City), Op. 12: Act I: Gluck, das mir verblieb is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die tote Stadt (The Dead City), Op. 12: Act I: Gluck, das mir verblieb BPM
The tempo marking of Die tote Stadt (The Dead City), Op. 12: Act I: Gluck, das mir verblieb by Erich Wolfgang Korngold, Ilona Steingruber, Anton Dermota, Alfred Poell, Rosl Schwaiger, Austrian State Radio Orchestra is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Die tote Stadt (The Dead City), Op. 12: Act I: Gluck, das mir verblieb Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le nozze di Figaro, K. 492 / Act 1: "Non so più...Ah, son perduto!" | Wolfgang Amadeus Mozart, Suzanne Danco, Hilde Gueden, Alfred Poell, Murray Dickie, Wiener Philharmoniker, Erich Kleiber | B♭ Major | 3 | 6B | 122 BPM | |
| Le nozze di Figaro, K.492 / Act 2: "Tutto è come io lasciai" | Wolfgang Amadeus Mozart, Alfred Poell, Lisa della Casa, Wiener Philharmoniker, Erich Kleiber | B♭ Major | 3 | 6B | 122 BPM | |
 | King of Kings Theme - Prelude | Miklos Rozsa | B♭ Major | 6 | 6B | 96 BPM | |
 | Munasterio 'e Santa-Chiara | Alberto Barberis, Michele Galdieri, Giuseppe Di Stefano, Orchestra, Dino Olivieri | A♭ Major | 2 | 4B | 86 BPM | |
 | The Third Man (The Harry Lime Theme) | Malcolm Lockyer Orchestra | C Major | 2 | 8B | 132 BPM | |
 | Der Bettelstudent (Abridged Operetta): Act I: Ich knupfe manche zarte Bande (Symon) | Carl Millöcker, Hertha Töpper, Wilma Lipp, Rosl Schwaiger, Karl Terkal, Kurt Wehofschitz, Kurt Böhme, Otto Storr, Pino Demschick, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke | G Major | 5 | 9B | 88 BPM | |
 | Der Rosenkavalier, Op. 59, TrV 227: Act I: Als Morgengabe – ganz separatim jedoch (Baron, Notary, Singer) | Richard Strauss, Maria Reining, Ludwig Weber, Sena Jurinac, Alfred Poell, Hilde Gueden, Judith Hellwig, Peter Klein, Hilde Rössel Majdan, Anton Dermota, Walter Berry, Harald Pröglhöf, August Jaresch, Franz Bierbach, Erich Majkut, Berta Seidl, Vienna State Opera Chorus, Wiener Philharmoniker, Erich Kleiber | D Major | 4 | 10B | 108 BPM | |
 | Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | |
 | Barwick Green | Arthur Wood, Vernon Handley, BBC Concert Orchestra, Martin Loveday | G Major | 2 | 9B | 126 BPM | |
 | La Vestale (1997 Digital Remaster): O nome tutelar | Tullio Serafin, Maria Callas, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 86 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0477404594421387
End: 1.0512933731079102