New Philharmonia Orchestra, Richard Baker, Raymond Leppard made "The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): Brass" available on February 5, 2006. With The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): Brass being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 39 in the song's album "Prokofiev: Peter and the Wolf . Rawsthorne: Practical Cats etc". In this album, this song's track order is #22. The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): Brass is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Young Person's Guide to the Orchestra - Variations and Fugue on a Theme of Purcell Op. 34 (Baker version) (1995 Digital Remaster): Brass by New Philharmonia Orchestra, Richard Baker, Raymond Leppard having a BPM of 39 with a half-time of 20 BPM and a double-time of 78 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
Pictures at an Exhibition - Symphonic transcription by Leopold Stokowski: Promenade - Gnome | Modest Mussorgsky, New Philharmonia Orchestra, Leopold Stokowski | B♭ Major | 2 | 6B | 167 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Legends, Op. 59, B. 122: VI. Allegro con moto | Antonín Dvořák, Cristian Măcelaru, WDR Sinfonieorchester | C Minor | 1 | 5A | 72 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Serse / Act 1 HWV40: "Ombra mai fu" | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 90 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (a) Introduction. Grave | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM | ||
Peer Gynt Suite No. 2, Op. 55: 4. Solveig's Song | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 75 BPM | ||
Maristella / Act 1: "Io conosco un giardino" | Giuseppe Pietri, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | F♯ Major | 3 | 2B | 172 BPM |
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