"Stabat Mater: 6. Vidit suum" by Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset was released on January 1, 1999. The duration of Stabat Mater: 6. Vidit suum is about 3 minutes long, at 3:00. Based on our data, "Stabat Mater: 6. Vidit suum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "Pergolesi: Stabat Mater; Salve Regina in F minor; Salve Regina in A minor". In this album, this song's track order is #6. Based on our statistics, Stabat Mater: 6. Vidit suum's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: 6. Vidit suum by Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Dido and Aeneas / Act 2: "Wayward sisters...But ere we this perform" | Henry Purcell, Patricia Kern, Helen Walker, Della Jones, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | F Major | 1 | 7B | 162 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, MH 154: Requiem aeternam | Michael Haydn, Christian Zacharias, Johanette Zomer, Helena Rasker, Markus Schäfer, Klaus Mertens, Schweizer Kammerchor, Orchestre de Chambre de Lausanne | D Major | 2 | 10B | 107 BPM | ||
Rinaldo, HWV 7a: Ouverture | Christophe Rousset, Les Talens Lyriques | D♭ Minor | 1 | 12A | 126 BPM | ||
6 Concerts transcrits en sextuor / 3e Concert: 1. La Poplinière | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
Pergolesi: Stabat Mater: XI. Inflammatus et accensus | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Major | 3 | 11B | 119 BPM | ||
Messe de requiem: II. Kyrie | André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale | E♭ Minor | 2 | 2A | 111 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Handel: Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Emmanuelle Haïm, Denis Comtet | F♯ Minor | 4 | 11A | 132 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: VIII. Wondrous Machine! | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Jonathan Arnold | D♭ Major | 1 | 3B | 73 BPM |
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