"Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": V. Cadenza II" by Pēteris Vasks, Renaud Capuçon, Chamber Orchestra of Europe was released on March 3, 2014. The duration of Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": V. Cadenza II is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": V. Cadenza II's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 14 in Distant Light - Renaud Capuçon plays Bach & Vasks by Renaud Capuçon, Chamber Orchestra of Europe. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": V. Cadenza II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vasks: Concerto for Violin and String Orchestra, "Täla Gaisma": V. Cadenza II by Pēteris Vasks, Renaud Capuçon, Chamber Orchestra of Europe is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ich ruf zu dir, Herr Jesu Christ, No. 5, BWV 639 | Johann Sebastian Bach, Murray Perahia | G Minor | 3 | 6A | 122 BPM | ||
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | E Major | 0 | 12B | 93 BPM | ||
Prelude In E Minor, BWV 855 (Arr. Piano In B Minor By Alexander Siloti) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 1 | 10A | 134 BPM | ||
Lullaby on an Ancient Irish Tune | Rebecca Clarke, Philip Dukes, Sophia Rahman | D♭ Major | 0 | 3B | 68 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 3 | 8B | 118 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
The Fruits Of Silence | Pēteris Vasks, Voces8, Huw Watkins | E♭ Major | 0 | 5B | 79 BPM |
Section: 0.7508327960968018
End: 0.7558021545410156