"Victoria: Lamentations for Maundy Thursday 1 - 3. Quomodo Sedet Sola Civitas" by The Tallis Scholars, Peter Phillips was released on March 28, 2010. With Victoria: Lamentations for Maundy Thursday 1 - 3. Quomodo Sedet Sola Civitas being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Victoria: Lamentations of Jeremiah (De Lamentatione Jeremiae Prophetae) by The Tallis Scholars, Peter Phillips. The song's track number on the album is #3 out of 69 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Victoria: Lamentations for Maundy Thursday 1 - 3. Quomodo Sedet Sola Civitas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Victoria: Lamentations for Maundy Thursday 1 - 3. Quomodo Sedet Sola Civitas by The Tallis Scholars, Peter Phillips has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Victoria: Lamentations for Maundy Thursday 1 - 3. Quomodo Sedet Sola Civitas being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brumel: Mater Patris - 2. Audi Nostra Suspiria | The Tallis Scholars, Peter Phillips | D Minor | 0 | 7A | 83 BPM | ||
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM | ||
O Holy God: The Trisagion | Kiev Chamber Choir | B♭ Major | 0 | 6B | 126 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Spirit of God | Komitas, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 177 BPM | ||
Josquin: Missa Gaudeamus - 04. Gloria in Excelsis Deo | The Tallis Scholars, Peter Phillips | A♭ Minor | 2 | 1A | 88 BPM | ||
Mass for unaccompanied double choir: II. Gloria | Frank Martin, RIAS Kammerchor, Daniel Reuss | A Minor | 1 | 8A | 137 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Inviolata, integra et casta es, Maria | Ensemble Hofkapelle, Michael Procter | C Major | 8 | 8B | 124 BPM | ||
Brumel: Missa Et ecce terrae motus, Gloria - 1. Gloria in excelsis | Antoine Brumel, Peter Phillips, The Tallis Scholars | A♭ Major | 2 | 4B | 133 BPM | ||
Feria quarta: Offertory. Portas caeli | Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | A♭ Minor | 1 | 1A | 83 BPM |
Section: 0.5697236061096191
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