"Mass for unaccompanied double choir: II. Gloria" by Frank Martin, RIAS Kammerchor, Daniel Reuss was released on May 28, 2004. Mass for unaccompanied double choir: II. Gloria is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 2 out of 16 in Choral Works by Frank Martin, RIAS Kammerchor, Daniel Reuss. Based on our statistics, Mass for unaccompanied double choir: II. Gloria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass for unaccompanied double choir: II. Gloria by Frank Martin, RIAS Kammerchor, Daniel Reuss is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der er etyndigt land (There is a Lovely Country) | Carl Nielsen, Danish National Vocal Ensemble, Michael Schønwandt | F Major | 1 | 7B | 98 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah! Se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | C Minor | 1 | 5A | 75 BPM | ||
Evening Prayer | Joanna Marsh, Lancelot Andrewes, The Choir of Magdalen College, Oxford, Mark Williams | B♭ Minor | 1 | 3A | 69 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | F Major | 1 | 7B | 131 BPM | ||
Can You Count the Stars of Evening | Oasis Chorale, Wendell Nisly | D Major | 1 | 10B | 132 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
In nomine Iesu: Adoramus te | Loyset Compère, Odhecaton, Paolo da Col | C Major | 1 | 8B | 70 BPM | ||
Chi la Gagliarda | Donato Baldissera, Amarcord | E Minor | 0 | 9A | 81 BPM | ||
Sacred Concerto No. 6, "Slava vo vishnikh Bohu" (Glory to God in the highest): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | F♯ Major | 0 | 2B | 69 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM |
Section: 0.621675968170166
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