Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Geraint Jones Orchestra made "Bach, CPE: Magnificat in D Minor, Wq. 215: VII. Suscepit Israel" available on April 10, 2024. With this song being about 5 minutes long, at 4:48, "Bach, CPE: Magnificat in D Minor, Wq. 215: VII. Suscepit Israel" by Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Geraint Jones Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 9 in CPE Bach: Magnificat, Wq. 215 by Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bach, CPE: Magnificat in D Minor, Wq. 215: VII. Suscepit Israel's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, CPE: Magnificat in D Minor, Wq. 215: VII. Suscepit Israel by Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Geraint Jones Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Filen, mio caro bene, HanS 263: III. Chiedi pur ai monti (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Helena Rasker | F♯ Minor | 1 | 11A | 98 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Gloria sit Patri Domino" | Gustav Mahler, Heather Harper, Lucia Popp, Helen Watts, Yvonne Minton, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Vienna Boys' Choir, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 5 | 5B | 102 BPM | ||
Rodelinda, HWV 19: Act I - "Ombre, piante" | Simone Kermes | E Minor | 1 | 9A | 84 BPM | ||
Aaria, Kun Herra Kulkee Pyhään Kaupunkiin | Markku Liukkonen | C Minor | 2 | 5A | 137 BPM | ||
Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret) | Christoph Willibald Gluck, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus, William Stone, Dawn Upshaw, David Gordon | A Minor | 7 | 8A | 130 BPM | ||
Stabat Mater in F Monir P. 77: XII Quando corpus | Simone Perugini | E♭ Minor | 1 | 2A | 100 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Stabat Mater in F Minor, G. 532: IV. Quis est homo. Adagio assai - Recitativo | Luigi Boccherini, Núria Rial, Orchester Le Phenix | G Major | 3 | 9B | 150 BPM | ||
Mass in D Major, Op. 86, B. 153: I. Kyrie | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 1 | 10B | 83 BPM |
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