Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret)
Christoph Willibald Gluck, Théophile Alexandre, Quatuor Zaïde
No(s) Dames
2:49 January 21, 2022
BPM
128
Key
B Minor
Camelot
10A

Embed

Share Link

Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret) - Christoph Willibald Gluck, Théophile Alexandre, Quatuor Zaïde Information

Acousticness
98%
Danceability
26%
Energy
14%
Instrumentalness
80%
Liveness
22%
Loudness
72%
Speechiness
4%
Valence
39%
Popularity
Loudness
-16.855 dB

Summary

Christoph Willibald Gluck, Théophile Alexandre, Quatuor Zaïde's 'Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret)' came out on January 21, 2022. The duration of Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "No(s) Dames". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Based on our statistics, Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret) BPM

With Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret) by Christoph Willibald Gluck, Théophile Alexandre, Quatuor Zaïde having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret) Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante by Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andanteJean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean RondeauA♭ Major24B99 BPM
Rossi: Il palazzo incantato, Prologue: Rossi: Il palazzo incantato, Prologue: "Vaghi rivi" (Pittura)Luigi Rossi, Christina Pluhar, Véronique GensG Minor16A109 BPM
Concerto primo in G Major: III. Allegro assai by Baldassare Galuppi, Ensemble StilModernoConcerto primo in G Major: III. Allegro assaiBaldassare Galuppi, Ensemble StilModernoG Major19B88 BPM
アヴェ・ヴェルム・コルプス by Wolfgang Amadeus Mozart, Maki Moriアヴェ・ヴェルム・コルプスWolfgang Amadeus Mozart, Maki MoriF Major07B70 BPM
Le Carnaval du Parnasse, Prologue Scene 2: Récit. Quoi, toujours du léger ? (Clarice, Florine) by Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Gwendoline BlondeelLe Carnaval du Parnasse, Prologue Scene 2: Récit. Quoi, toujours du léger ? (Clarice, Florine)Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Gwendoline BlondeelF Minor44A141 BPM
2. Notenbüchlein für Anna Magdalena Bach: I. No. 40, Wie wohl ist mir, o Freund der Seelen, BWV 517 by Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto2. Notenbüchlein für Anna Magdalena Bach: I. No. 40, Wie wohl ist mir, o Freund der Seelen, BWV 517Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru YamamotoE♭ Minor22A74 BPM
Alcina, HWV 34, Act II: Qual portento by George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski, Anna BonitatibusAlcina, HWV 34, Act II: Qual portentoGeorge Frideric Handel, Les Musiciens du Louvre, Marc Minkowski, Anna BonitatibusB Minor210A166 BPM
Don Juan ou le Festin de pierre, Wq. 52: 2. Andante by Christoph Willibald Gluck, Jordi Savall, Le Concert Des NationsDon Juan ou le Festin de pierre, Wq. 52: 2. AndanteChristoph Willibald Gluck, Jordi Savall, Le Concert Des NationsA Minor18A120 BPM
Six Celan Songs: No. 3, Psalm by Michael Nyman, AngelnoxSix Celan Songs: No. 3, PsalmMichael Nyman, AngelnoxA♭ Major24B78 BPM
Languet anima mea BWV deest 1006: II. Aria: O vulnera, vita coelestis by Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana BlazikováLanguet anima mea BWV deest 1006: II. Aria: O vulnera, vita coelestisFrancesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana BlazikováE♭ Minor22A74 BPM
ISRC
FR7MS2295002
Label
L-M Records/RCA Records

Section: 0.8371250629425049

End: 0.8413956165313721