Christoph Willibald Gluck, Théophile Alexandre, Quatuor Zaïde's 'Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret)' came out on January 21, 2022. The duration of Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "No(s) Dames". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Based on our statistics, Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orfeo ed Euridice, Wq. 30, Act 3 Scene 1: Che fiero momento (Arr. for Countertenor & String Quartet by Eric Mouret) by Christoph Willibald Gluck, Théophile Alexandre, Quatuor Zaïde having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Rossi: Il palazzo incantato, Prologue: "Vaghi rivi" (Pittura) | Luigi Rossi, Christina Pluhar, Véronique Gens | G Minor | 1 | 6A | 109 BPM | ||
Concerto primo in G Major: III. Allegro assai | Baldassare Galuppi, Ensemble StilModerno | G Major | 1 | 9B | 88 BPM | ||
アヴェ・ヴェルム・コルプス | Wolfgang Amadeus Mozart, Maki Mori | F Major | 0 | 7B | 70 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 2: Récit. Quoi, toujours du léger ? (Clarice, Florine) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Gwendoline Blondeel | F Minor | 4 | 4A | 141 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 40, Wie wohl ist mir, o Freund der Seelen, BWV 517 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Alcina, HWV 34, Act II: Qual portento | George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski, Anna Bonitatibus | B Minor | 2 | 10A | 166 BPM | ||
Don Juan ou le Festin de pierre, Wq. 52: 2. Andante | Christoph Willibald Gluck, Jordi Savall, Le Concert Des Nations | A Minor | 1 | 8A | 120 BPM | ||
Six Celan Songs: No. 3, Psalm | Michael Nyman, Angelnox | A♭ Major | 2 | 4B | 78 BPM | ||
Languet anima mea BWV deest 1006: II. Aria: O vulnera, vita coelestis | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM |
Section: 0.8371250629425049
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