Herman Løvenskiold, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra made "Løvenskiold: La Sylphide, Act 1: James Effy - The Witch - The Fortune-Teller Scene (Allegro - Andantino - Allegro con fuoco)" available on July 2, 2007. Løvenskiold: La Sylphide, Act 1: James Effy - The Witch - The Fortune-Teller Scene (Allegro - Andantino - Allegro con fuoco) is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. There are a total of 41 in the song's album "Tchaikovsky: The Nutcracker / Lovenskiold: La Sylphide". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Denmark. In terms of popularity, Løvenskiold: La Sylphide, Act 1: James Effy - The Witch - The Fortune-Teller Scene (Allegro - Andantino - Allegro con fuoco) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Løvenskiold: La Sylphide, Act 1: James Effy - The Witch - The Fortune-Teller Scene (Allegro - Andantino - Allegro con fuoco) by Herman Løvenskiold, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppelia: Act III - Danse de fete | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 72 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Tempo di valse: Men's Variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 88 BPM | ||
Swan Lake (Suite), Op. 20a, TH. 219: VI. Scène finale | Pyotr Ilyich Tchaikovsky, Leon Spierer, Eberhard Finke, Berliner Philharmoniker, Mstislav Rostropovich | E♭ Major | 0 | 5B | 102 BPM | ||
Don Quixote: Act I: Espada | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | B♭ Major | 1 | 6B | 183 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | C Major | 0 | 8B | 111 BPM | ||
Ballet Suite No. 4 (arr. L. Atovmyan): Waltz (The Song of Great Rivers) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 96 BPM | ||
Les patineurs, Op. 183: Valse | Émile Waldteufel, Engelbert Humperdinck, Berliner Symphoniker, Gerhard Becker | B♭ Major | 2 | 6B | 95 BPM | ||
Le Carnaval des Animaux: Fossiles | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | E♭ Major | 3 | 5B | 123 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 7 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | F Major | 1 | 7B | 167 BPM | ||
Carnival of the Animals: X. Aviary | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | F Major | 1 | 7B | 80 BPM |
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