Marin Marais, Jordi Savall, Hopkinson Smith, Anne Gallet made "Pièces de viole du Second Livre, suite en si mineur: Gigue, II. 90 (1701)" available on September 27, 2011. The duration of Pièces de viole du Second Livre, suite en si mineur: Gigue, II. 90 (1701) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Pièces de viole du Second Livre, suite en si mineur: Gigue, II. 90 (1701)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman's "Marin Marais: Pièces de viole des Cinq Livres" album is number 25 out of 83. Pièces de viole du Second Livre, suite en si mineur: Gigue, II. 90 (1701) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Pièces de viole du Second Livre, suite en si mineur: Gigue, II. 90 (1701) by Marin Marais, Jordi Savall, Hopkinson Smith, Anne Gallet to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
D'Anglebert: Suite No. 3 en ré mineur: VI. Sarabande Grave. Lentement | Jean-Henri d'Anglebert, Jean Rondeau | A♭ Minor | 1 | 1A | 76 BPM | ||
Membra Jesu Nostri, BuxWV 75: IV. Ad latus. Surge amica mea | Dietrich Buxtehude, Ensemble Correspondances, Sébastien Daucé | D♭ Minor | 1 | 12A | 74 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Concert No. 8 in G Major "Les goûts réunis": VII. Sarabande. Grave et tendre | François Couperin, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | F Major | 0 | 7B | 129 BPM | ||
No. 2: Concerto Secondo: II. Affettuoso | Georg Philipp Telemann, Gustav Leonhardt, Barthold Kuijken, Wieland Kuijken, Sigiswald Kuijken | F Major | 0 | 7B | 72 BPM | ||
Première suite à 3 violes in D Major: No. 1, Prélude | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 113 BPM | ||
Prima die Lectio prima: III. Quomodo sedet sola | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 1 | 11A | 89 BPM | ||
Violin Sonata No. 2 in D Major: I. Presto | Élisabeth Jacquet de La Guerre, Lina Tur Bonet, Patxi Montero, Kenneth Weiss | C Major | 1 | 8B | 86 BPM | ||
Ballet des fous et des estropiés de la cervelle: I. Entrée de l'Embabouinée | Anonymous, Le Poème Harmonique, Vincent Dumestre | B♭ Major | 0 | 6B | 128 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM |
Section: 0.5838503837585449
End: 0.589378833770752