"Prima die Lectio prima: III. Quomodo sedet sola" by Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre was released on 2001. With Prima die Lectio prima: III. Quomodo sedet sola being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 29 in Cavalieri: Lamentations by Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre. Prima die Lectio prima: III. Quomodo sedet sola is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prima die Lectio prima: III. Quomodo sedet sola by Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Membra Jesu Nostri, BuxWV 75: Concerto [Ad manus] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Cantata VII: Ad faciem (To the Face): Cum me jubes emigrare - Chorus | The Sixteen | B Minor | 1 | 10A | 91 BPM | ||
Rappresentatione di Anima, et di Corpo, Atto Terzo: Scena prima (Intelletto. Consiglio. Anima, Corpo, Choro) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Jan Van Elsacker, Stephan MacLeod, Johannette Zomer, Marco Beasley | G Major | 1 | 9B | 70 BPM | ||
Sanctus | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | F Minor | 1 | 4A | 125 BPM | ||
L'Egisto, Prologo: Da l'oriente sorgo ridente (Aurora) | Francesco Cavalli, Vincent Dumestre, Le Poème Harmonique, Eugénie Lefebvre | D♭ Major | 1 | 3B | 71 BPM | ||
No. 133, Psalm Siehe, wie fein und lieblich ists, SWV 48 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Te Deum, S.32: XI. Te ergo quæsumus | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre | C Major | 1 | 8B | 71 BPM | ||
Repons: Eram quasi agnus | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | E Major | 1 | 12B | 173 BPM | ||
Serenata in lingua lombarda che fa Madonna Gola, à Messir Carnevale: Morescha de Schiavi. Hor cantar più non volgiamo | Il Fásolo, Le Poème Harmonique, Vincent Dumestre | C Major | 5 | 8B | 106 BPM | ||
Maria, quid ploras | Claudio Monteverdi, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 80 BPM |
Section: 0.5271279811859131
End: 0.5312817096710205