Kurt Weill, Wilhelm Brückner-Rüggeberg, Norddeutsches Radio Orchester's ' "Aufstieg und Fall der Stadt Mahagonny: No. 10, Ein Taifun! - Oh, furchtbares Ereignis!" was released on its scheduled release date, 1958. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Aufstieg und Fall der Stadt Mahagonny: No. 10, Ein Taifun! - Oh, furchtbares Ereignis!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Rise and Fall of the City of Mahagonny". In this album, this song's track order is #16. In terms of popularity, Aufstieg und Fall der Stadt Mahagonny: No. 10, Ein Taifun! - Oh, furchtbares Ereignis! is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Aufstieg und Fall der Stadt Mahagonny: No. 10, Ein Taifun! - Oh, furchtbares Ereignis! by Kurt Weill, Wilhelm Brückner-Rüggeberg, Norddeutsches Radio Orchester having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An die Musik, D. 547 | Franz Schubert, Elly Ameling, Dalton Baldwin | D Major | 0 | 10B | 70 BPM | ||
Chants d'Auvergne, Vol. 1: No. 2. Bailero | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 76 BPM | ||
Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
Fauré: 3 Songs, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Sabine Devieilhe, Alexandre Tharaud | G Minor | 1 | 6A | 166 BPM | ||
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Lohengrin, WWV. 75: Prelude to Act I | Richard Wagner, Philadelphia Orchestra, Christian Thielemann | B Major | 1 | 1B | 72 BPM | ||
Liederkreis, Op. 39: 5. Mondnacht | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | E Major | 0 | 12B | 88 BPM | ||
Prelude No.11 in F [The Well-Tempered Clavier - 2nd Book BWV 880] | The Swingle Singers | F Minor | 1 | 4A | 136 BPM |