"Sonata in G minor, HWV 364a: IV. Allegro" by George Frideric Handel, Riccardo Minasi was released on March 2, 2012. With Sonata in G minor, HWV 364a: IV. Allegro being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Riccardo Minasi's "Handel: Violin Sonatas" album is number 8 out of 32. On top of that, Switzerland appears to be the country where this track was created. The popularity of Sonata in G minor, HWV 364a: IV. Allegro is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata in G minor, HWV 364a: IV. Allegro by George Frideric Handel, Riccardo Minasi to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in G Major: I. Largo | Johann Gottlieb Graun, Berliner Barock Compagney | F♯ Major | 1 | 2B | 97 BPM | ||
Concerto For 3 Harpsichords In C Major, BWV 1064:II. Adagio | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 1 | 8A | 76 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 73 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 7: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 133 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Giga | Nicola Matteis, Gli Incogniti, Amandine Beyer | F♯ Minor | 2 | 11A | 101 BPM | ||
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Concerto VIII in Re minore RV 127: Allegro | Modo Antiquo, Federico Maria Sardelli | D Minor | 3 | 7A | 135 BPM | ||
Concerto Grosso in D Major, Op. 3, No. 1: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Major | 0 | 10B | 138 BPM | ||
Keyboard Concerto in D Minor, BWV 1052: III. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Muller-Bruhl | F Minor | 4 | 4A | 108 BPM |
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