On April 16, 2004, the song "Life and Works: 'Orchestrate!'" was released by Sean Barrett. With Life and Works: 'Orchestrate!' being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Sean Barrett's "Life and Works: Dvorak (Siepmann)" album is number 3 out of 61. Based on our statistics, Life and Works: 'Orchestrate!''s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Life and Works: 'Orchestrate!' by Sean Barrett to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Vivaldi: Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Louis Auriacombe, Orchestre De Chambre De Toulouse, Andre Saint-Clivier | E♭ Major | 1 | 5B | 94 BPM | ||
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Four Songs Op. 13: No. 3 Sure On This Shining Night - Andante | Samuel Barber, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | B♭ Major | 2 | 6B | 88 BPM | ||
Requiem in D Minor, Op. 48: In Paradisum | Gabriel Fauré, Seiji Ozawa | D Major | 1 | 10B | 171 BPM | ||
Chapter 116 - Raven Lord | JC Duncan, Sean Barrett | B♭ Minor | 2 | 3A | 147 BPM | ||
Standchen (From "Schwanengesang") (Schubert - Liszt) | Anna Malikova | D Major | 0 | 10B | 60 BPM | ||
Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest" | George Frideric Handel, Andrew Davis, Royal Choral Society, London Philharmonic Orchestra | B Major | 4 | 1B | 129 BPM | ||
Wagner: Tristan und Isolde, Act III: Liebestod. "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Jessye Norman, Klaus Tennstedt, London Philharmonic Orchestra | B Major | 2 | 1B | 82 BPM | ||
The Gadfly Suite, Op. 97: VIII. Romance | Dmitri Shostakovich, Vassily Sinaisky, BBC Philharmonic | D♭ Major | 0 | 3B | 76 BPM |
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