On February 9, 2024, the song "Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest"" was released by George Frideric Handel, Andrew Davis, Royal Choral Society, London Philharmonic Orchestra. Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest" is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel's "Handel: Sarabande, Hallelujah and Other Masterpieces" album is number 39 out of 41. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest"'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest" by George Frideric Handel, Andrew Davis, Royal Choral Society, London Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM | ||
Ideale (Arr. Mercurio) | Francesco Paolo Tosti, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | A Major | 1 | 11B | 83 BPM | ||
Carmina Burana / I. Primo vere: "Veris leta facies" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Minor | 0 | 7A | 68 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Philharmonic Orchestra, Vernon Handley, David Bell, Peter Manning | E♭ Major | 0 | 5B | 77 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act III: Duettino. "Sull'aria... Che soave zeffiretto" (Contessa, Susanna) | Wolfgang Amadeus Mozart, Claudio Desderi, Gianna Rolandi, Richard Stilwell, Felicity Lott, Faith Esham, London Philharmonic Orchestra, Glyndebourne Chorus, Bernard Haitink | B♭ Major | 1 | 6B | 73 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | E Major | 0 | 12B | 90 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | A♭ Major | 1 | 4B | 171 BPM |
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