"There Will Come" by Rebecca Dale, Philharmonia Orchestra, Michael Collins, Steven Isserlis was released on March 8, 2024. There Will Come is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Rebecca Dale: Night Seasons". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. There Will Come is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With There Will Come by Rebecca Dale, Philharmonia Orchestra, Michael Collins, Steven Isserlis having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lalo: Symphonie espagnole, Op. 21: I. Allegro non troppo | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | D Minor | 1 | 7A | 75 BPM | ||
Aria, Op. 9 | Mieczysław Weinberg, Kremerata Baltica, Gidon Kremer | B♭ Major | 1 | 6B | 90 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: I. Jig | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM | ||
Nautilus | Anna Meredith, Dalia Stasevska, BBC Symphony Orchestra | D Major | 6 | 10B | 123 BPM | ||
6 Friends: For Rosemary | Ned Rorem, Carolyn Enger | D Minor | 0 | 7A | 0 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | D♭ Minor | 3 | 12A | 95 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Greater Antiphons: II. O Adonai | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | D Major | 0 | 10B | 138 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: II. Adagio - Version 1979 | Joaquín Rodrigo, Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | B Minor | 0 | 10A | 85 BPM |
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