"Aria, Op. 9" by Mieczysław Weinberg, Kremerata Baltica, Gidon Kremer was released on December 8, 2023. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Weinberg: Aria, Op. 9 only contains only one song in the album, we like to consider this song as a single. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Aria, Op. 9 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Aria, Op. 9 by Mieczysław Weinberg, Kremerata Baltica, Gidon Kremer has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Aria, Op. 9 being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verschwundene Worte | Wolfgang Rihm, Sol Gabetta, Bertrand Chamayou | E♭ Major | 0 | 5B | 138 BPM | ||
Sonata for Violin and Piano No. 2 in D Major, Op. 94a: II. Scherzo (Presto) | Sergei Prokofiev, Gidon Kremer, Martha Argerich | D Major | 2 | 10B | 147 BPM | ||
Symphony No. 3 in C Minor, Op. 44: II. Andante | Sergei Prokofiev, Gianandrea Noseda, London Symphony Orchestra | A Minor | 0 | 8A | 66 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
Five Minuets And Trios For String Quartet, D.89 - Arranged For String Orchestra And 6 Trios: 4. In G Major | Franz Schubert, Gidon Kremer, Gabrielle Lester, Diemut Poppen, Richard Lester, Chamber Orchestra of Europe | G Major | 0 | 9B | 115 BPM | ||
Szymanowski: 20 Mazurkas, Op. 50: No. 3, Moderato | Karol Szymanowski, Piotr Anderszewski | D♭ Major | 1 | 3B | 89 BPM | ||
II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | D♭ Minor | 3 | 12A | 95 BPM | ||
Nocturne in D Minor, Op 19: No. 4 | Pyotr Ilyich Tchaikovsky, Duo Arnicans | D Minor | 1 | 7A | 174 BPM | ||
Chamber Symphony "The Star of David": Postlude. The Luminous Lament | Giedrius Kuprevičius, Vida Miknevičiūtė, Gidon Kremer | C Major | 0 | 8B | 75 BPM | ||
Piano Trio in A Minor, Op. 50, TH.117: Var. IX: Andante flebile, ma non tanto - Live | Pyotr Ilyich Tchaikovsky, Martha Argerich, Gidon Kremer, Mischa Maisky | D♭ Minor | 0 | 12A | 95 BPM |
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