"Weinen, Klagen, Sorgen, Zagen, BWV 12: I. Sinfonia / Improvisation on Weinen, Klagen, Sorgen, Zagen" by Johann Sebastian Bach, Marcel Ponseele, Jean-Paul Estiévenart, Anthony Romaniuk, Il Gardellino was released on September 23, 2022. With this song being about 5 minutes long, at 5:14, "Weinen, Klagen, Sorgen, Zagen, BWV 12: I. Sinfonia / Improvisation on Weinen, Klagen, Sorgen, Zagen" by Johann Sebastian Bach, Marcel Ponseele, Jean-Paul Estiévenart, Anthony Romaniuk, Il Gardellino is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Triptyque". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Belgium. Weinen, Klagen, Sorgen, Zagen, BWV 12: I. Sinfonia / Improvisation on Weinen, Klagen, Sorgen, Zagen is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Weinen, Klagen, Sorgen, Zagen, BWV 12: I. Sinfonia / Improvisation on Weinen, Klagen, Sorgen, Zagen by Johann Sebastian Bach, Marcel Ponseele, Jean-Paul Estiévenart, Anthony Romaniuk, Il Gardellino having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: II. Les plaisirs | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Les Baricades Mistérieuses (Arr. Daniel Zapico) | François Couperin, Daniel Zapico | F♯ Major | 2 | 2B | 159 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 4 | 3B | 63 BPM | ||
La Suave Melodia | Andrea Falconieri, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Meditations for String Quartet: III. — | Koben Sprengers, Ma'at Ensemble | G Major | 0 | 9B | 83 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | C Major | 3 | 8B | 103 BPM | ||
Missa in G Minor, BWV 235: I. Kyrie | Johann Sebastian Bach, Philippe Pierlot, Carlos Mena, Anna Zander, Maria Keohane, Ricercar Consort, Hans-Jörg Mammel, Stephan MacLeod | D Minor | 7 | 7A | 109 BPM | ||
Chamber Sonata No. 4 in G Minor: VI. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 112 BPM | ||
Rosary Sonatas: XVI. Passacaglia for Solo Violin in G Minor "The Guardian Angel" | Heinrich Ignaz Franz von Biber, Isabelle Faust | F♯ Minor | 1 | 11A | 91 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 5 in D major, BWV 850 | Luc Beauséjour | D♭ Major | 5 | 3B | 118 BPM |
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