Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari's 'The Firebird Suite *: Variation de l'oiseau de feu / Firebird Variation' came out on August 3, 1990. With The Firebird Suite *: Variation de l'oiseau de feu / Firebird Variation being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Stravinsky: Firebird (The) / Petrushka / Suites Nos. 1 and 2". In this album, this song's track order is #3. In terms of popularity, The Firebird Suite *: Variation de l'oiseau de feu / Firebird Variation is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Firebird Suite *: Variation de l'oiseau de feu / Firebird Variation by Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
La traviata*: Act I: Prelude | Giuseppe Verdi, Monika Krause, Rannveig Braga, Ivica Neshybova, Yordy Ramiro, Georg Tichy, Peter Oswald, Pavol Maurery, Ladislav Neshyba, Jozef Spacek, Peter Subert, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | C Minor | 1 | 5A | 75 BPM | ||
Masquerade Suite: III. Mazurka | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Large Symphony Orcherstra | E Minor | 4 | 9A | 96 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 73 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.5 in A Major (Allegro vivace) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | E Major | 3 | 12B | 142 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 0 | 12B | 143 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM | ||
Symphony No. 41 in C Major, K. 551 'Jupiter': IV. Molto Allegro | Wolfgang Amadeus Mozart, Budapest Festival Orchestra, Iván Fischer | C Major | 3 | 8B | 138 BPM |
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