- BPM
- 75
- Key
- C Minor
- Camelot
- 5A
La traviata*: Act I: Prelude - Giuseppe Verdi, Monika Krause, Rannveig Braga, Ivica Neshybova, Yordy Ramiro, Georg Tichy, Peter Oswald, Pavol Maurery, Ladislav Neshyba, Jozef Spacek, Peter Subert, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari Information
- Acousticness
- 98%
- Danceability
- 12%
- Energy
- 7%
- Instrumentalness
- 87%
- Liveness
- 10%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 23%
- Loudness
- -23.007 dB
Summary
"La traviata*: Act I: Prelude" by Giuseppe Verdi, Monika Krause, Rannveig Braga, Ivica Neshybova, Yordy Ramiro, Georg Tichy, Peter Oswald, Pavol Maurery, Ladislav Neshyba, Jozef Spacek, Peter Subert, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari was released on October 1, 1991. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Traviata (La) by Giuseppe Verdi. The song's track number on the album is #1 out of 46 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. La traviata*: Act I: Prelude is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La traviata*: Act I: Prelude BPM
Since La traviata*: Act I: Prelude by Giuseppe Verdi, Monika Krause, Rannveig Braga, Ivica Neshybova, Yordy Ramiro, Georg Tichy, Peter Oswald, Pavol Maurery, Ladislav Neshyba, Jozef Spacek, Peter Subert, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With La traviata*: Act I: Prelude being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
La traviata*: Act I: Prelude Key
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Scheherazade, Op. 35: I. The Sea and Simbad's Ship. Largo maestoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Alexander Rahbari, Josef Suk | E Major | 1 | 12B | 56 BPM | |
 | Cavalleria rusticana: Scene and Arrival of Alfio: Dite, Mamma Lucia (Santuzza and Lucia) | Pietro Mascagni, Giacomo Aragall, Stefka Evstatieva, Anna di Mauro, Alžbeta Michálková, Eduard Tumagian, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | F♯ Minor | 0 | 11A | 112 BPM | |
 | Symphony No. 3 in F Major, Op. 90: IV. Allegro | Johannes Brahms, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 1 | 7B | 83 BPM | |
 | Turandot: Act III Scene 1: Che è mai di me? | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | |
 | Aida: Act II: Marcia | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | A♭ Major | 1 | 4B | 112 BPM | |
 | Dichter und Bauer: Overture | Franz von Suppé, Zubin Mehta, Wiener Philharmoniker | D Major | 1 | 10B | 77 BPM | |
 | Coppelia: Act III - La discorde et la guerre | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E Major | 1 | 12B | 93 BPM | |
 | Die Zauberflöte, K. 620: Act I No. 7: Duett - Bei Mannern, welche Liebe fuhlen | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz | E♭ Major | 1 | 5B | 172 BPM | |
 | Suite No. 1: Espanola | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Minor | 1 | 7A | 128 BPM | |
 | Don Carlo*: Act IV Scene 1: Scene: Ella giammai m'amo … Cantabile: Dormiro sol (Philip) | Giuseppe Verdi, Lars Cleveman, Peter Mattei, Bengt Rundgren, Hillevi Martinpelto, Iwa Sorenson, Klas Hedlund, Martti Wallèn, Hilde Leidland, Jaakko Ryhänen, Ingrid Tobiasson, Royal Swedish Opera Chorus, Royal Swedish Opera Orchestra, Alberto Hold-Garrido | E Major | 3 | 12B | 110 BPM |
- ISRC
- HKI199190101
- Label
- L-M Records/RCA Records
Section: 0.8377556800842285
End: 0.8412048816680908