"Undine: Act I: Quintet: Ach, welche Freude, welche Wonne (Undine, Tobias, Pater, Marthe, Hugo)" by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn was released on January 1, 2005. Since Undine: Act I: Quintet: Ach, welche Freude, welche Wonne (Undine, Tobias, Pater, Marthe, Hugo) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Albert Lortzing, Monika Krause, Kurt Peter Eichhorn's "Lortzing, A.: Undine [Opera]" album is number 4 out of 37. On top of that, United States appears to be the country where this track was created. In terms of popularity, Undine: Act I: Quintet: Ach, welche Freude, welche Wonne (Undine, Tobias, Pater, Marthe, Hugo) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Undine: Act I: Quintet: Ach, welche Freude, welche Wonne (Undine, Tobias, Pater, Marthe, Hugo) by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Regina: Act I: Recitative and Aria: Was sprach der alte Tor (Stephan) | Albert Lortzing, Johanna Stojkovic, Theresa Holzhauser, Jean Broekhuizen, Daniel Kirch, Ralf Simon, Detlef Roth, Peter Schone, Albert Pesendorfer, Prague Philharmonic Chorus, Munich Radio Orchestra, Ulf Schirmer | F Minor | 2 | 4A | 166 BPM | ||
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Vorspiel | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | A Major | 1 | 11B | 38 BPM | ||
The Rain of Lights | John Van Geem | D♭ Major | 3 | 3B | 99 BPM | ||
Undine: Act III: Lied: Vater, Mutter, Schestern, Bruder (Veit) | Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn | A Major | 1 | 11B | 83 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Divertissement, Vorstellungen 1803: No. 5, Marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Symphony No. 2 in D Major, Op. 36: III. Scherzo..Allegro | Ludwig van Beethoven, Douglas Bostock, Argovia Philharmonic | D Major | 0 | 10B | 130 BPM | ||
Gesellschafts-Galoppe (Society Galop), Op. 17 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | A Major | 2 | 11B | 135 BPM | ||
Masques et Bergamasques, suite, Op.112: 2. Menuet | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 146 BPM | ||
La fiancée, S. 17: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Minor | 0 | 8A | 120 BPM |
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