Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn's 'Undine: Act III: Lied: Vater, Mutter, Schestern, Bruder (Veit)' came out on January 1, 2005. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Albert Lortzing, Monika Krause, Kurt Peter Eichhorn's "Lortzing, A.: Undine [Opera]" album is number 9 out of 37. On top of that, United States appears to be the country where this track was created. Undine: Act III: Lied: Vater, Mutter, Schestern, Bruder (Veit) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Undine: Act III: Lied: Vater, Mutter, Schestern, Bruder (Veit) by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fidelio, Op. 72, Act I: Quartet: Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino) | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | C Major | 3 | 8B | 135 BPM | ||
Fantasy in C Major, Op. 15, D. 760, "Wandererfantasie" (arr. C. Koechlin): I. Allegro con fuoco ma non troppo | Franz Schubert, Charles Koechlin, Florian Hoelscher, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 1 | 9B | 129 BPM | ||
Divertissement, Vorstellungen 1803: No. 4, Allegro | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Lortzing: Undine, LoWV 64, Act 3: No. 15b, Finale, "Nun ist's vollbracht! … O kehr zurück … Schwanensang, Schwanenklang" (Kühleborn, Undine, Chorus) | Albert Lortzing, Hermann Prey, Anneliese Rothenberger, RIAS Kammerchor, Radio-Sinfonieorchester Berlin, Robert Heger | B Major | 1 | 1B | 101 BPM | ||
8 Slavonic Dances, Op. 46: No. 1 in C (Presto) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | F Major | 3 | 7B | 88 BPM | ||
Hungarian Dance No.20 In E Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 76 BPM | ||
Der Waffenschmied, LoWV 66, Act 1: Bringt eilig Hut und Mantel mir | Albert Lortzing, Günther Groissböck, Andrew Morstein, Arnold Schönberg Choir, ORF Vienna Radio Symphony Orchestra, Leo Hussain | C Major | 2 | 8B | 177 BPM | ||
Lortzing: Der Wildschütz, Act 1 Scene 3: Dialog, "Grete! Grete! … Nun, was will er denn?" (Baculus, Gretchen) | Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff | F Major | 1 | 7B | 70 BPM | ||
Gesellschafts-Galoppe (Society Galop), Op. 17 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | A Major | 2 | 11B | 135 BPM |
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