Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff made "Lortzing: Der Wildschütz, Act 1 Scene 3: Dialog, "Grete! Grete! … Nun, was will er denn?" (Baculus, Gretchen)" available on 1964. With Lortzing: Der Wildschütz, Act 1 Scene 3: Dialog, "Grete! Grete! … Nun, was will er denn?" (Baculus, Gretchen) being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 35 in Der Wildschütz by Albert Lortzing, Hermann Prey/Fritz Wunderlich. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Lortzing: Der Wildschütz, Act 1 Scene 3: Dialog, "Grete! Grete! … Nun, was will er denn?" (Baculus, Gretchen) is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Lortzing: Der Wildschütz, Act 1 Scene 3: Dialog, "Grete! Grete! … Nun, was will er denn?" (Baculus, Gretchen) by Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Auf der Jagd, Op.373 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 157 BPM | ||
Divertissement, Vorstellungen 1803: No. 5, Marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 1 | 8B | 78 BPM | ||
Serenade No. 1 in D Major, Op. 11: IVb. Menuetto II | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | A Major | 1 | 11B | 110 BPM | ||
Gesellschafts-Galoppe (Society Galop), Op. 17 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | A Major | 2 | 11B | 135 BPM | ||
Der Fischer und das Milchmädchen: XV. Allegro furioso | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 1: "Täubchen, das entflattert ist" (Alfred, Adele, Rosalinde) | Johann Strauss II, Plácido Domingo, Eva Lind, Lucia Popp, Das Münchner Rundfunkorchester | G Major | 1 | 9B | 49 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Act I: Overture | Albert Lortzing, Staatskapelle Dresden, Bernhard Klee | B♭ Major | 2 | 6B | 136 BPM | ||
Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM |
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